Livres

• Ainsworth, Maryan (sous la direction de), Man, myth, and sensual pleasures : Jan Gossart's Renaissance, Metropolitain Museum of Art, NewYork, 2010
• Arasse, Daniel, Le détail, Flammarion, Paris, 2009
• Arasse ,Daniel, L’homme en perspective, Hazan, Paris, 2008
• Arasse ,Daniel, Tönnesmann Andreas, La Renaissance Maniériste, Gallimard, Paris, 1997 • Alberti ,Francesca, La peinture Facétieuse, Actes Sud, Arles, 2015
• Bartholeyns Gil, Dittmar Pierre• Olivier, Jolivet Vincent, Image et transgression au moyen• âge, PUF, Paris, 2008
• Bassens, Maarte, Van Grieken, Joris, Bruegel The complete graphic works, Thames & Hudson, Londres, 2019
• Baxandall, Michael, L’oeil du Quattrocento, Gallimard, Paris, 2004
• Berger, John, John Berger à vol d’oiseau, L’écarquillé, Paris, 2020 • Caillois, Roger, Au coeur du fantastique, Gallimard, Paris, 1965
• Couliano, I.P., 1484 Eros et Magie à la Renaissance, Flammarion, Paris, 1984
• Dubus Pascale, Domenico Beccafumi , Adam Biro, Paris, 2000 • Frédérick, Tristant, L’oeil d’Hermès, Arthaud, Paris, 1982
• Golsenne, Thomas, Maillet Clovis, Un moyenâge émancipateur, Même pas l’hiver, Romainville, 2021
• Golsenne, Thomas, Carlo Crivelli et le matérialisme mystique du quattrocento, PU de Rennes, Rennes, 2017
• Holger, Jacob Friesen, Hans Baldung Grien sacrée/profane, Deutscher kunstverlag, Karlsruhe, 2020
• Humfrey, Peter (sous la direction de), Lorenzo Lotto : 1480• 1557 , Paris : Réunion des musées nationaux, 1998
• Kaufman, Lynn Frier, The Noble Savage: Satyrs and Satyr Families in Renaissance Art, ‎ Umi Research Pr, 1984
Lebensztejn, JeanClaude, Figures Pissantes, Macula, Paris, 2016
• Maillet, Clovis, Les genres fluides, Arkhé, Paris, 2020
• Makowski, Claude, Le songe du docteur et la sorcière, Slatkine, Genêve, 1999
• Massing, JeanMichel, La Calomnie d’Apelle, Presse Universitaire de Strasbourg, Strasbourg, 1990
• Morel, Philippe (sous la direction de),L'art de la Renaissance entre science et magie , Somogy , Paris, 2006
• Morel, Phillipe, Mélissa : magie, astres et démons dans l'art italien de la Renaissance, Hazan, Paris, 2008
• Panofsky, Erwin, La vie et l’art d’Albrecht Dürer, Hazan, Paris, 2012
• Panofsky, Erwin, Les primitifs Flamands, Hazan, Paris, 2010
• Panofsky, Erwin, Essai d’Iconologie, Gallimard, Paris, 1997
• Panofsky, Erwin, L’œuvre d’art et ses significations, Gallimard, Paris, 2008
• Panofsky, Erwin, Le Titien, Hazan, Paris, 2004
• Panofsky, Erwin, Klibansky Raymond, Saxl Fritz, Saturne et la mélancolie, Gallimard, 1989
• Pianzola, Maurice Peintres et vilains, L’insomniaque, Montreuil, 2015
• Piron, Sylvain, L’occupation du Monde, Paris, Zones Sensible, Bruxelles, 2018
• Piron, Sylvain, Généalogie de la morale économique , Paris, Zones Sensible, Bruxelles, 2020
• Seretti, Marina, Endormis, le sommeil profond et ses métaphores dans l’art de la Renaissance, Les presse du réel, Paris, 2021
• Schefer, JeanLouis, L’hostie profanée, P.O.L., Paris, 2007
• Schmidlin, Laurence (sous la direction de), La Passion Dürer, Musée Jenisch Vevey, Vevey, 2014
• Steinberg, Leo, La sexualité du Christ dans l’art de la Renaissance et son refoulement moderne, Gallimard, Paris, 1987
• Tenenti, Alberto, La vie et la mort à travers l’art di XV^e siècle, Allia, Paris, 2018
• Thea, Paolo, Gli artisti e gli “spregevoli”, mimesis edizioni, Milan ,1998 • Wirth, Jean, Saint Anne est une sorcière et autres essais, Droz, Genêve, 2003
• Zeri, Federico, Derrière l’image, Rivages, Paris, 1988
• Zeri, Federico, Le mythe visuel de l’Italie, Rivages, Paris, 1986
• Zeri, Federico, Renaissance et pseudo• Renaissance, Rivages, Paris, 1985

Articles

• Alcimar do Lago Carvalho, Butterflies at the Mouth of Hell: traces of biology of two species of Nymphalidae (Lepidoptera) in European paintings of the fifteenth century", Filosofia e História da Biologia , v. 5, n. 2, p. 177-193, 2010. En ligne : http://www.abfhib.org/FHB/FHB-05-2/FHB-5-2-10-Alcimar-Carvalho-color.pdf
https://www.lavieb-aile.com/article-les-papillons-dans-un-tableau-de-hans-memling-125258718.html
• Baskins, Cristelle L. “GENDER TROUBLE IN ITALIAN RENAISSANCE ART HISTORY: TWO CASE STUDIES.” Studies in Iconography, vol. 16, 1994, pp. 1–36. , http://www.jstor.org/stable/23924090. Accessed 20 May 2022.
• J.Bruyn, « Twee St. Antonius-Panelen En Andere Werken Van Aertgen Van Leyden », Netherlands Yearbook for History of Art , Vol.11, 1960 pp. 37-119
• Bialostocki, Jan. “‘Opus Quinque Dierum’: Dürer’s ‘Christ among the Doctors’ and Its Sources.” Journal of the Warburg and Courtauld Institutes, vol. 22, no. 1/2, 1959, pp. 17–34., https://doi.org/10.2307/750557. Accessed 20 May 2022.
• Blatchford, Ian. “Symbolism and Discovery: Eclipses in Art.” Philosophical Transactions: Mathematical, Physical and Engineering Sciences, vol. 374, no. 2077, 2016, pp. 1–26. , http://www.jstor.org/stable/24760607. Accessed 20 May 2022.
• Curschmann, Michael. “MARCOLF OR AESOP? THE QUESTION OF IDENTITY IN VISIO-VERBAL CONTEXTS.” Studies in Iconography, vol. 21, 2000, pp. 1–45., http://www.jstor.org/stable/23924214. Accessed 20 May 2022.
• Cuttler, Charles D. “Bosch and the Narrenschiff: A Problem in Relationships.” The Art Bulletin, vol. 51, no. 3, 1969, pp. 272–76. , https://doi.org/10.2307/3048632. Accessed 20 May 2022.
• Doorly, Patrick. “Dürer’s ‘Melencolia I’: Plato’s Abandoned Search for the Beautiful.” The Art Bulletin, vol. 86, no. 2, 2004, pp. 255–76, https://doi.org/10.2307/3177417. Accessed 25 Apr. 2022.
• DUNKERTON, JILL. “Cosimo Tura as Painter and Draughtsman: The Cleaning and Examination of His ‘Saint Jerome.’” National Gallery Technical Bulletin, vol. 15, 1994, pp. 42–53, http://www.jstor.org/stable/42616084. Accessed 25 Apr. 2022. • Emison, Patricia. “Dürer’s Rider.” Renaissance Studies, vol. 19, no. 4, 2005, pp. 511–22, http://www.jstor.org/stable/24416580. Accessed 25 Apr. 2022. • Figueras, Joan Molina, Bartolomé Bermejo and the art of painting, in Bartolomé Bermejo (cat. exp. Madrid, Museo del Prado), Joan Molina Figueras (ed.), Madrid, Museo del Prado, 2018, pp. 13• 59 • Fehl, Philipp P. “Mantegnas ‘Mutter Der Tugenden.’” Artibus et Historiae, vol. 24, no. 48, 2003, pp. 29–42, https://doi.org/10.2307/1483728. Accessed 25 Apr. 2022.
• Garrard, Mary D. “Michelangelo in Love: Decoding the ‘Children’s Bacchanal.’” The Art Bulletin, vol. 96, no. 1, 2014, pp. 24–49, http://www.jstor.org/stable/43947705. Accessed 25 Apr. 2022.
• Friedmann, Herbert. “Footnotes to the Painted Page: The Iconography of an Altarpiece by Botticini.” The Metropolitan Museum of Art Bulletin , vol. 28, no. 1, 1969, pp. 1–17. JSTOR, https://doi.org/10.2307/3258469. Accessed 19 Sep. 2022.
• Häsler S., Dängeli J., “Eligius, Schutzpatron der Tierärztinnen und Tierärzte”, Band 156, Heft 1, Januar 2014,
• Franklin, David. “Rosso Fiorentino’s Betrothal of the Virgin: Patronage and Interpretation.” Journal of the Warburg and Courtauld Institutes, vol. 55, 1992, pp. 180–99, https://doi.org/10.2307/751423. Accessed 25 Apr. 2022.
• FRIESEN, ILSE E. “Leonardo Da Vinci’s Unorthodox Iconography: The ‘Madonna with the Cat.’” RACAR: Revue d’art Canadienne / Canadian Art Review, vol. 16, no. 1, 1989, pp. 19–80. , http://www.jstor.org/stable/42630413. Accessed 20 May 2022.
• Gaston, Robert W. “Iconography and Portraiture in Bronzino’s ‘Christ in Limbo.’” Mitteilungen Des Kunsthistorischen Institutes in Florenz, vol. 27, no. 1, 1983, pp. 41–72, http://www.jstor.org/stable/27653101. Accessed 25 Apr. 2022.
• Gaignebet, Claude. “Le Combat de Carnaval et de Carême de P. Bruegel (1559).” Annales. Histoire, Sciences Sociales, vol. 27, no. 2, 1972, pp. 313–45.
http://www.jstor.org/stable/27578042. Accessed 20 May 2022. • Goffen, Rona. “Lotto’s Lucretia.” Renaissance Quarterly, vol. 52, no. 3, 1999, pp. 742–81, https://doi.org/10.2307/2901917. Accessed 25 Apr. 2022.
• Hartman, John J., et al. “The Stones of Madness.” American Imago, vol. 33, no. 3, 1976, pp. 266–95, http://www.jstor.org/stable/26303139. Accessed 25 Apr. 2022.
• Hults, Linda C. “Dürer’s ‘Lucretia’: Speaking the Silence of Women.” Signs, vol. 16, no. 2, 1991, pp. 205–37, http://www.jstor.org/stable/3174509. Accessed 25 Apr. 2022.
• Heckscher, W. S. “Relics of Pagan Antiquity in Mediæval Settings.” Journal of the Warburg Institute, vol. 1, no. 3, 1938, pp. 204–20. JSTOR, https://doi.org/10.2307/750006. Accessed 20 May 2022. • Mesenzeva, Charmian A. “‘Der Behexte Stallknecht’ Des Hans Baldung Grien.” Zeitschrift Für Kunstgeschichte, vol. 44, no. 1, 1981, pp. 57–61. JSTOR, https://doi.org/10.2307/1482107. Accessed 20 May 2022.
• Morganstern, Anne M. “The Rest of Bosch’s Ship of Fools.” The Art Bulletin, vol. 66, no. 2, 1984, pp. 295–302., https://doi.org/10.2307/3050419. Accessed 20 May 2022.
• Kosmer, Ellen. “Gardens of Virtue in the Middle Ages.” Journal of the Warburg and Courtauld Institutes, vol. 41, 1978, pp. 302–07, https://doi.org/10.2307/750872. Accessed 25 Apr. 2022.
• Louise S. Richards. “The Life of the Virgin.” The Bulletin of the Cleveland Museum of Art, vol. 46, no. 10, 1959, pp. 209–209. http://www.jstor.org/stable/25142365. Accessed 20 May 2022.
• L. E. P. “An Engraving by Jean Duvet.” The Bulletin of the Cleveland Museum of Art, vol. 18, no. 1, 1931, pp. 13–16, http://www.jstor.org/stable/25137352. Accessed 25 Apr. 2022.
• Mesenzeva, Charmian A. “‘Der Behexte Stallknecht’ Des Hans Baldung Grien.” Zeitschrift Für Kunstgeschichte, vol. 44, no. 1, 1981, pp. 57–61, https://doi.org/10.2307/1482107. Accessed 25 Apr. 2022.
• Olszewski, Edward J. “PIERO DI COSIMO’S ‘LADY FIAMMETTA.’” Source: Notes in the History of Art, vol. 21, no. 2, 2002, pp. 6–12, http://www.jstor.org/stable/23206739. Accessed 25 Apr. 2022.
• McComb, Arthur. “Francesco Ubertini (Bacchiacca).” The Art Bulletin, vol. 8, no. 3, 1926, pp. 141–67., https://doi.org/10.2307/3046514. Accessed 20 May 2022.
• Olszewski, Edward J. “THE AMAZON IN ROSSO FIORENTINO’S UFFIZI ‘MOSES.’” Source: Notes in the History of Art, vol. 28, no. 1, 2008, pp. 25–29, http://www.jstor.org/stable/23207971. Accessed 25 Apr. 2022.
• Resenberg Laura, « Neueste Erkenntnise über das Holztafelgemälde « Hl. Hieronymus » von Lucas Cranach, Wissenschaftliches Jahrbuch der Tiroler Landesmuseen , BD 7 (2014) • RICHARDSON, E. P. “The Legend of St. Christopher by Jan Joest Van Calcar.” Bulletin of the Detroit Institute of Arts of the City of Detroit, vol. 24, no. 3, 1945, pp. 37–37. , http://www.jstor.org/stable/41501188. Accessed 20 May 2022.
• Ruvoldt, Maria. “Michelangelo’s Dream.” The Art Bulletin, vol. 85, no. 1, 2003, pp. 86–113, https://doi.org/10.2307/3177328. Accessed 25 Apr. 2022.
• Peter Arms Wick. “Samson Slaying the Lion by Israhel van Meckenem.” Bulletin of the Museum of Fine Arts, vol. 51, no. 286, 1953, pp. 85–89, http://www.jstor.org/stable/4171162. Accessed 25 Apr. 2022.
• Saxl, F. “Pagan Sacrifice in the Italian Renaissance.” Journal of the Warburg Institute, vol. 2, no. 4, 1939, pp. 346–67, https://doi.org/10.2307/750043. Accessed 25 Apr. 2022.
• Saxl, F. “A Scene from the Hypnero-Tomachia in a Painting by Garofalo.” Journal of the Warburg Institute, vol. 1, no. 2, 1937, pp. 169–71. JSTOR, https://doi.org/10.2307/750055. Accessed 20 May 2022.
• Schleiner, Winfried. “Male Cross-Dressing and Transvestism in Renaissance Romances.” The Sixteenth Century Journal, vol. 19, no. 4, 1988, pp. 605–19. , https://doi.org/10.2307/2540989. Accessed 20 May 2022.
• Snyder, James E. “The Early Haarlem School of Painting: II. Geertgen Tot Sint Jans.” The Art Bulletin, vol. 42, no. 2, 1960, pp. 113–32. , https://doi.org/10.2307/3047890. Accessed 20 May 2022.
• Simoncelli, Paolo. “Pontormo e La Cultura Fiorentina.” Archivio Storico Italiano, vol. 153, no. 3 (565), 1995, pp. 487–527, http://www.jstor.org/stable/26222069. Accessed 25 Apr. 2022.
• Simons, Patricia, “Manliness and the VisualSemiotics of Bodily Fluids in Early Modern Culture” Journal of Medieval and Early Modern Studies, 39.2, P331• 373, 2009
• Starbuck, John M, “On the Antiquity of Trisomy 21: Moving Towards a Quantitative Diagnosis of Down Syndrome in Historic Material Culture”, Journal of contemporary anthropology, issue 1, Vol II, 2011
• Stewart, Alison G., “Unequal Lovers: A Study of Unequal Couples in Northern Art”, (1978). Faculty Publications and Creative Activity, School of Art, Art History and Design. 19. https://digitalcommons.unl.edu/artfacpub/19
• van Abbé, D. “Change and Tradition in the Work of Niklaus Manuel of Berne (1484-1531).” The Modern Language Review, vol. 47, no. 2, 1952, pp. 181–98. , https://doi.org/10.2307/3718804. Accessed 20 May 2022.
• Stumpel, Jeroen. “The Foul Fowler Found out: On a Key Motif in Dürer’s ‘Four Witches.’” Simiolus: Netherlands Quarterly for the History of Art, vol. 30, no. 3/4, 2003, pp. 143–60. JSTOR, https://doi.org/10.2307/3780914. Accessed 11 Oct. 2022.
• Van der Velden, Mimi, “ De 12 panelen met het leven van Rochus van Montpellier in de St.• Jacobskerk te Antwerpen ”, 2011
• Wind, Edgar. “Dürer’s ‘Männerbad’: A Dionysian Mystery.” Journal of the Warburg Institute, vol. 2, no. 3, 1939, pp. 269–71, https://doi.org/10.2307/750106. Accessed 25 Apr. 2022.
• Wittkower, Rudolf. “Transformations of Minerva in Renaissance Imagery.” Journal of the Warburg Institute, vol. 2, no. 3, 1939, pp. 194–205., https://doi.org/10.2307/750097. Accessed 20 May 2022.
• Wolk, Linda. “Sodoma’s Holy Family with Saint John.” Bulletin of the Detroit Institute of Arts, vol. 61, no. 4, 1984, pp. 22–33, http://www.jstor.org/stable/23182642. Accessed 25 Apr. 2022.
• Wolk, Linda. “The ‘Pala Baciadonne’ by Perino Del Vaga.” Studies in the History of Art, vol. 18, 1985, pp. 29–2. JSTOR, http://www.jstor.org/stable/42618008. Accessed 8 Jun. 2022.
• Wood, Christopher S. “Countermagical Combinations by Dosso Dossi.” RES: Anthropology and Aesthetics, no. 49/50, 2006, pp. 151–70, http://www.jstor.org/stable/20167699. Accessed 25 Apr. 2022.
• Wind, Edgar. “‘Hercules’ and ‘Orpheus’: Two Mock• Heroic Designs by Dürer.” Journal of the Warburg Institute, vol. 2, no. 3, 1939, pp. 206–18, https://doi.org/10.2307/750098. Accessed 25 Apr. 2022.
• Wirth, Jean. “LE JARDIN DES DÉLICES DE JÉRÔME BOSCH.” Bibliothèque d’Humanisme et Renaissance, vol. 50, no. 3, 1988, pp. 545–85, http://www.jstor.org/stable/20677720. Accessed 25 Apr. 2022.
• Zupnick, Irving L. “Pontormo’s Early Style.” The Art Bulletin, vol. 47, no. 3, 1965, pp. 345–53, https://doi.org/10.2307/3048281. Accessed 25 Apr. 2022.

Sites

Artifex in Opere
Wikipedia
Le catalogue ALMA du Boijmans museum